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Do lobsters feel pain? Did Franz Kafka have a funny bone? What is John Updike's deal, anyway? And what happens when adult video starlets meet their fans in person? David Foster Wallace answers these questions and more in essays that are also enthralling narrative adventures. Whether covering the three-ring circus of a vicious presidential race, plunging into the wars between dictionary writers, or confronting the World's Largest Lobster Cooker at the annual Maine Lobster Festival, Wallace projects a quality of thought that is uniquely his and a voice as powerful and distinct as any in American letters.
- Sales Rank: #760483 in Books
- Published on: 2005-12-13
- Original language: English
- Number of items: 1
- Dimensions: 9.50" h x 1.13" w x 6.38" l, 1.25 pounds
- Binding: Hardcover
- 352 pages
From Publishers Weekly
Novelist Wallace (Infinite Jest) might just be the smartest essayist writing today. His topics are various—this new collection treats porn, sports autobiographies and the vagaries of English usage, among others—his perspective always slightly askew and his observations on point. Wallace is also frustrating to read. This arises from a few habits that have elevated him to the level of both cause célèbre and enfant terrible in the world of letters. For one thing, he uses abbrs. w/r/t just about everything without warning or, most of the time, context. For another, he inserts long footnotes and parenthetical asides that by all rights should be part of the main texts (N.B.: These usually occur in the middle of phrases, so that the reader cannot recall the context by the time the parentheses are wrapped up) but never are. These tricks are adequately postmodern (a term Wallace is intelligent enough to question) to prove his cleverness. But a writer this gifted doesn't need such cleverness. Wallace's words and ideas, as well as a wonderful sense of observation that makes even the most shopworn themes seem fresh, should suffice.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
It’s a well-accepted proposition that Wallace, a MacArthur Foundation "genius" grant recipient, is one of the most brilliant essayists alive. But it’s another matter altogether whether his work—at once luminous, provocative, digressive, and frustrating—finds the audience it deserves. Like Infinite Jest (1996) and A Supposedly Fun Thing I’ll Never Do Again (1997), this collection showcases Wallace’s love of language, emotional IQ, and curiosity about the world (and the starlets who populate it). His trademark footnotes, essays in themselves, rarely fail to entertain—if you can follow them. But a few critics ask whether this collection exhibits more high jinks than actual intellectual insight; the arrows and boxed comments in the essay "Host," for example, may just obscure a Very Important Point. But that may be the point—to get you thinking about much more than the lobster.
Copyright © 2004 Phillips & Nelson Media, Inc.
From Booklist
In his latest essay collection, Wallace, known best for his expansive metafiction, traverses a wide swathe of territory, swinging from a consideration of pornography to a reading of John Updike (perhaps not such a stretch), from the 2000 campaign trail of Republican John McClain to reflections on Kafka and Dostoyevsky, and from Bloomington, Illinois, to lobster-trawling Maine. The uberliterate Wallace is a subtle Hunter Thompson, pointed, yet sly, in directing transitions to reveal his true intention--that is, he misleads, then opens up. Humorous, engaging, albeit a bit perplexing in his style, he is a little too trendy in his postmodern use of boxes, arrows, footnotes, and so on. But when Wallace is on the mark, few can compare in craft and craftiness. And there is enough that is uncool here to make it cool in a truly culty sense. Wallace's complex essays are written, and rightfully so, to be read more than once. Mark Eleveld
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
0 of 0 people found the following review helpful.
Entertaining collection of essays
By Tased
This is my first foray into David Foster Wallace (I know, it's one of his last works and nonfiction, but I felt like it would be a good introduction). I enjoy his style of writing, the quality of prose, and the introspection and philosophizing that is present throughout.
In this particular collection, mostly journalistic-type pieces, some essays are more compelling than others - an outsider's view of the porn version of the Oscar's is a highlight, while an abstruse treatise that is ostensibly a review of a writing style guide is difficult to wade through even for linguistic enthusiasts. As a whole I would rate it highly, though, especially for those who want some quality reading without having to commit to a full novel (I found it a pleasant distraction during a plane ride and while waiting at the DMV, for example)
0 of 0 people found the following review helpful.
Not my cup of tea
By Kadunigan
I expected educated, interesting, and sophisticated. This is profane, uninteresting and meandering.
1 of 2 people found the following review helpful.
"Mercurial mix of wit, intelligence, cynicism and humor..."
By Thomas Moody
To characterize the late David Wallace as merely a fiction writer is to be truly short sided. In fact, I'd wager that his true talent was on exhibit moreso in these wonderful books of essays and short stories and not necessarily in his novels. In 1997 he published the marvelous "A Supposedly Fun Thing I'll Never Do Again" that accumulated numerous nonfictional narrations that emoted a side of Wallace not seen in his literary breakthrough "Infinite Jest", a legendary fictional monolith. Continuing with the short non fiction writings, we now encounter "Consider the Lobster" an amalgam of previously published magazine pieces that Wallace was commissioned to write for, among others, Harpers, Esquire and Rolling Stone. Put together in an order that was surely well thought through by both author and editor, we enter a maze of prodigious writing and thinking that few writers could ever hope to aspire to. Wallace's talent is truly laid bare here and it is the reader who is the victor as one's mind is hopelessly expanded while damning fate (re: clinical depression) is responsible for taking such a talent away before his work was complete.
Yea verily, to appreciate Wallace, one must really be dialed into his cynicism...for me he's at his best when he methodically and systematically dismembers those whose inflated sense of self importance and self aggrandizement leave no other choice. In "Up Simba" and "The Big Red Son" Wallace picks apart two widely disparate but uniquely unified egos when he tackles the arrogant national press that follows a major presidential candidate and the self proclaimed untouchable postures of adult video hierarchy. Slowly at first and then gathering steam, these mercenary depictions integrate within the narrative, giving nuance and depth that by the end, the reader is suddenly faced with reporting as he's never experienced...in both of these excellent essays, I found myself laughing almost uncontrollably while marveling, at the end, at why all journalism can't be this way. This, to me, is the power of DFW.
The other essays, although not quite up to the standard of the two previously mentioned, are also excellent in varying forms. This next level would include "The View from Mrs. Thompson's", a "where were you" for Wallace on 9/11 that uniquely treats the human spirit in a seemingly heretofore un-Wallace-like way. "How Tracy Austin Broke My Heart" is a rigorous diatribe at Austin's memoirs and a "how could she be so callous" with her life story review. The book's title essay is an exploration not so much of the Maine Lobster Fest of 2003, although it's certainly centered around that, rather it's a referendum on animal rights and, more specifically, a thoughtful study on the lobster and whether it's cruel and unusual punishment to boil one alive. Wallace has clearly done his homework here and his crustacean knowledge approaches Phd level.
The others are works that I would characterize as academic essays ranging from studies on Kafka and Dostoevsky (the essential post modern literary anchor points) to a surprisingly personal reflection on today's use of language compared to its intended use and how many language syntax fanatics or SNOOTS (don't ask...look it up), Wallace having been one of it's proud leaders, are mulling about the land looking and lurching for the ever present mistake in prose. These works require a lot more work and commitment from the reader but are still rewarding in the end. Finally, it wouldn't be a Wallace work without a word about the footnotes. Wallace explains that the endnotes are a way for him to "fracture reality" and provide a way to give him a second voice, all of which I believe and trust...but, I also believe that to a degree, Wallace is messing with us a bit and enjoying it...methinks he's thumbing his nose at those who would criticize him with the final essay "Host" in the book. Without giving it away, one only has to turn to any page in this essay to see what I'm talking about.
It is true that this reviewer has come aboard the DFW bandwagon very late and the circumstances of his death have certainly added the needed melancholy to his legend. But, I believe that I do possess enough balance to recognize genius when I read it and I must say that David Wallace deserves all accolades thrown his way...with "Consider The Lobster" being one of his many masterpieces.
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